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Exploring the Mind of Levitation Jones: Q&A

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Levitation Jones, a boundary-pushing producer from Rhode Island, is making waves in the underground music scene. Known for his innovative sound and introspective approach, he’s gearing up for the release of a new album with Lemondoza and a solo EP that promises fresh, experimental directions from bass music. In this exclusive interview, we explore his creative process, industry insights, and vision for the future.




Creative Process and Introspection


Q: Your music often reflects deep introspection. How do you channel personal experiences and emotions into your creative process?


A: I think the world might be better off if people worked on themselves a little more, you know? I've found a lot more success in my life when I focus on improving myself and tackling things within my direct impact. Instead of trying to force passion or change onto others, I channel what I learn from personal growth into my art..
A lot of people are walking around with that thing in their brain that they need to work on, whether it’s trauma, being mean to people, or even something like laziness. I’m not above any of that—I still have those issues to work on, too. But I’ve found the art I make comes from a better place when I focus on bettering myself.
I also believe there’s value in introspection. I think some artists are trying way too hard to be political. I’m all for it but quickly, it can be a weird double-edged sword when it feels like their motivation is more about money than passion for a cause. So, I try to stay in my lane, be mindful of where I’m educated and where I’m not, and that comes through in my work.

Industry Insights


Q: As someone deeply involved in the music industry, how do you view the current state of music economics? What advice would you give to artists navigating these challenges?


A: Social media was a lot more rewarding to underground artists a decade ago. Now, even as I feel more successful, calculated, and relevant, my numbers, shows, and income are down—and my peers say the same thing. I’ve talked with so many artists, and unless they have significant backing, this seems to be the trend. People with funding can push themselves into people’s faces, but for most of us, the current state of music economics is pretty rough.
My advice? Be patient. The economy is cyclical—it may get uglier before it gets better, but things historically progress. Focus on longevity and making intentional art. And please, don’t fall into the trap of chasing trends and keeping up with the content creation rat race. If it’s organic and something that makes you laugh, or excites you, go for it. But forced, insincere content won’t carry you.

Q: With the rise of streaming platforms and digital distribution, what strategies do you believe are most effective for independent artists to sustain themselves financially?


A: Streaming platforms aren’t great for income—they’re better for accessibility and letting people discover your music. For financial sustainability, you have to dive into your local and regional scenes. Drive 2, 4, 6 hours to connect with people, play shows (even if you’re starting out and they’re free), and build those relationships.
It’s not about going viral or creating a big online presence for the independent artst—it’s about showing people that you care and getting that word-of-mouth support. You have to put in the miles, figuratively and literally, and be ready to seize opportunities. Each of us has our own ladder to climb, but what matters most is contributing meaningfully to the scenes we’re a part of.

Mentorship and New Generations


Q: You’ve mentioned the importance of helping the newer generation of producers. What are some practical ways established artists can mentor and uplift emerging talent?


A: First, you have to know where you’re strong and where you can help. Not everyone has the same path, and mentorship is about recognizing that.
I’ve come to realize that I have a responsibility to share what I’ve learned. Sometimes it’s pointing someone toward an opportunity, sometimes it’s giving feedback, and sometimes it’s just listening and being available. Mentorship is about kindness and understanding, and it requires you to tailor your guidance to the needs of the person you’re helping.

Q: What are the key skills or mindsets you think young producers should focus on to stand out in today’s music landscape?


A: Be yourself and focus on authenticity. Don’t feel pressured to release music just to stay relevant in an algorithm—create with purpose. I release one four- or five-track EP every two or three years, and in between, I work on singles and collaborations.
Be a fan of yourself. Don't get caught up in the rat race, but also don’t put yourself in a box. Hang out with people who inspire you and try different things. What works for someone else may not work for you. Longevity comes from knowing who you are and staying true to that.

Collaborations and Projects


Q: Your upcoming album with Lemondoza is highly anticipated. Can you give us a glimpse into the collaboration process and what listeners can expect?


A: Lemondoza and I have connected on a level I never thought possible. We’ve created so much music together that it feels like forming a band—this is the first time I’ve worked with someone this closely on multiple projects.
This album is a mix of raw passion, shared ideas, and a blend of our influences. It’s about creating something authentic and deep, and I think listeners will hear that in every track.

Q: Your new solo EP promises to explore fresh directions. What inspired this project, and how does it differ from your previous work?A:

 A closing of a chapter and introduction of a new one. This is the sign that I’ve leveled up but only just the beginning of the wave. It’s everything we love about Levitation Jones' genre-pushing sound but somehow a completely new direction.

Philosophy and Sound


Q: Your sound has been described as both experimental and grounded. How do you balance pushing boundaries while staying true to your roots?


A: You can’t please everyone, and chasing trends will burn you out. I think it’s about respecting your audience while staying true to yourself. The balance comes when you create music you love, and trust that your audience will connect with it because it’s genuine.

Q: How do you view the role of music as a medium for introspection and connection in today’s fast-paced world?


A: Growth as an artist and a person is what drives me, and I hope my evolution reflects that journey.

Future Vision


Q: Looking ahead, what are your goals for the next chapter of your career?


A: I want to create art for myself. I want my art to inspire people to think deeply, feel fully, and stay true to themselves. Life is about duality—there’s beauty in the chaos and value in introspection.

Final Thoughts


Q: Is there anything else you’d like to share or any closing thoughts?


A: All my love to Lemondoza, who is the love of my life and my savior. She’s got my career on the right path, and I think I’ve got hers on the right path too. She’s an amazing human.
Also, shoutout to King Joe for being there through the tough times and balancing his own busy life as a new dad. My parents and I have reconnected in a huge way recently, which has been amazing for me.And to anyone else? Just pay me and go.
Finally, be the scene you want to see. Stop complaining about things you won’t change, and if you don’t like a genre of music, it probably means you don’t know enough about it.



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Zac Claxton
Zac Claxton
Dec 21, 2024

LOVE THISSSS

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